A horreo is a traditional granary or storage building commonly found in the northwest region of Spain,

A horreo is a traditional granary or storage building commonly found in the northwest region of Spain, particularly in Galicia, Asturias, and Cantabria. These structures are typically raised off the ground on pillars or stilts to



 protect the stored grain or food from moisture and pests. Horreos are characterized by their unique architectural design, featuring a rectangular or elongated shape with slatted walls or vents to allow for air circulation.

The construction of horreos dates back centuries, with some examples dating as far back as the Middle Ages. They were originally used to store and preserve crops such as corn, wheat, and other grains, as well as other food items like potatoes and beans. The elevated design of horreos helps to keep the stored goods dry and safe from rodents and insects.

Horreos are not only functional structures but also hold cultural significance in the regions where they are prevalent. They are often decorated with intricate carvings, symbols, or patterns, reflecting local craftsmanship and traditions. In addition to their practical use for food storage, horreos have become iconic symbols of rural life in Spain, attracting tourists and visitors who appreciate their historical and architectural value.

Comments

Post a Comment

Popular posts from this blog

Labour and Love: A Herstory of Work and Childcare in the Industrial Revolution

Image
Labour and Love: A Herstory of Work and Childcare in the Industrial Revolution In 1871, Ruth Holdsworth walked through the streets of Leeds on her way to work weaving wool, worsted and flax in a textile mill. Working women were a common sight in northern towns during the industrial revolution, as they travelled to factories, workshops and mines to make money for their families. Some 750,000 working women in this period were also mothers. Both historians and contemporaries have claimed that factory mothers spent the working day away from their infants and children, as the 19th-century industrious period ended any form of control these women had over their working lives. This separation dictated who did what work and where they did it, leading women to be pushed out of the public sphere into domestic spaces. Working-class women’s inability to combine waged work with childcare bit hard when insufficiency of a husband’s earnings forced mothers out to work. If they were to venture out, they...
Read more

From 1971: Why Have There Been No Great Women Artists?

Image
From 1971: Why Have There Been No Great Women Artists? A version of this story originally appeared in the January 1971 issue of ARTnews. While the recent upsurge of feminist activity in this country has indeed been a liberating one, its force has been chiefly emotional—personal, psychological and subjective—centered, like the other radical movements to which it is related, on the present and its immediate needs, rather than on historical analysis of the basic intellectual issues which the feminist attack on the status quo automatically raises.1 Like any revolution, however, the feminist one ultimately must come to grips with the intellectual and ideological basis of the various intellectual or scholarly disciplines—history, philosophy, sociology, psychology, etc.—in the same way that it questions the ideologies of present social institutions. If, as John Stuart Mill suggested, we tend to accept whatever is as natural, this is just as true in the realm of academic investig...
Read more

From family to factory: women's lives during the Industrial Revolution

Image
From family to factory: women's lives during the Industrial Revolution The Industrial Revolution saw thousands of women enter the workplace alongside men – but it was far from emancipatory, writes Elinor Evans The Industrial Revolution caused a dramatic shift in women’s roles in society. Before industrialisation, the household would have been the centre of production, and women’s work largely confined to the domestic sphere, but no less physical for it. Tasks such as fetching water, and tending livestock would have kept women as busy as clothing and feeding a family, while many also took other work into their home such as hand-spinning or weaving. Cottage industry, as it was called, didn’t entirely end with the arrival of large- scale manufacturing, but the advent of machinery had an irreversible impact on women’s lives. As machines replaced individual labour and burgeoning industries needed coal, women became part of the growing working classes that laboured in mines and mills. In...
Read more

This rebellious female painter of bold nude portraits has been overlooked for a century

Image
This rebellious female painter of bold nude portraits has been overlooked for a century Over a century ago, Suzanne Valadon began painting lively nude portraits of sensual and self-assured women, with full, curvy bodies and pubic hair. Occasionally, she painted nude men as well, bucking art historical tradition and presenting them as figures of desire. Her canvases were full of bold outlines, vibrant colors and loose brushwork, and she deftly illustrated her subjects’ interior lives, rather than the idealized scenes of leisure so prevalent at the time. Championed by some of her most famous contemporaries, including Edgar Degas and Pierre-Auguste Renoir, Valadon was no minor artist, and one of the few women painters of the era to receive critical acclaim. Yet, like many women artists of the 20th century, her fame faded after her death. Suzanne Valadon was a famous artists' model who posed for Pierre-Auguste Renoir and Henri Toulouse-Lautrec before striking out on her own to paint. B...
Read more

President's daughter sparks breastfeeding debate with photo

Image
President's daughter sparks breastfeeding debate with photo Aliya Shagieva posted the photo on social media back in April with the caption: 'I will feed my child whenever and wherever he needs to be fed.' She took the post down after being accused of immoral behaviour, but in an exclusive interview with the BBC she said the row was a result of a culture which hyper-sexualised the female form. "This body I've been given is not vulgar. It is functional, its purpose is to fulfil the physiological needs of my baby, not to be sexualised," she told BBC Kyrgyz. It wasn't only some social media users who disapproved. Her parents, President Almazbek Atambayev and his wife Raisa, were also unhappy. "They really didn't like it. And it is understandable because the younger generation is less conservative than their parents," Ms Shagieva said, speaking at her home on the outskirts of the Kyrgyz capital, Bishkek. Ms Shagieva posts actively on social media,...
Read more